Art in the face of the current technological transformation
DOI:
https://doi.org/10.30973/inventio/2022.18.46/3Keywords:
artificial intelligence, philosophy of culture, artwork, technology, dystopiaAbstract
This article reflects on the effects of the current technological revolution on art and culture, as well as on the short-term future of these changes. Faced with a tradition that questions the possibility of a relationship between art and technology, and the contemporary relativism that complicates the dialogue between cultural spheres, it recovers the thesis that the history of art can be read in a universal key. That is, in terms of technological progress, an approach that goes back to the thinkers of classical antiquity, who understood art as a tékne intended to imitate nature. The need to question this transformation, as well as the modes and effects of the convergence between art and technology, is emphasized.
References
Cohen, C. (7 de junio de 2022). Comment l’intelligence artificielle pourrait bousculer la création litteraire. Le Figaro. https://www.lefigaro.fr/medias/comment-l-intelligence-artificielle-pourrait-bousculer-la-creation-litteraire-20220607
Belting, H. (2011). La imagen y sus historias: ensayos. UIA.
Bitbol, M. (2009). Théorie quantique et sciences humaines. CNRS éditions.
Ferry, L. (2016). La révolution transhumaniste. Plon.
Guitton, P. y Roussel, N. (22 de mayo de 2022). Le métavers, ni rupture technologique ni gadget. Le Monde.
Gombrich, E. H. (1997). Enfoques en la historia del arte: tres puntos de discusión. En E. H. Gombrich, Gombrich esencial: textos escogidos sobre arte y cultura (pp. 355-368). Debate.
Harari, Y. N. (2018). 21 Leçon pour le XXIe siècle. Albin Michel.
Heisenberg, W. (2962). La nature dans la physique contemporaine. Gallimard.
Liu, G. (21 de junio de 2022). The World’s Smartest Artificial Intelligence Just Made Its First Magazine Cover. Cosmopolitan. https://www.cosmopolitan.com/lifestyle/a40314356/dall-e-2-artificial-intelligence-cover/
Monod, J. C. (2022). La raison et la colère. Seuil.
Russell, B. (2021). Religión y ciencia. FCE.
Snow, C. P. (1956 [2 de enero de 2013]). The Two Cultures. The New Statesman. https://www.newstatesman.com/culture/2013/01/c-p-snow-two-cultures
Thibault, C. (2021-2022). Les arts numériques, ce nouveau paradigme. L’Observatoire, 58, 46-49. https://www.cairn.info/revue-l-observatoire-2021-2-page-46.htm
University of Exeter (30 de mayo de 2022). Exeter doctoral student wins prestigious medal for “extraordinary” research. University of Exeter News. https://www.exeter.ac.uk/news/staff/title_914132_en.html
Valéry, P. (1992). Variété III, IV, et V. Folio Essais, 404. Gallimard.
Downloads
Published
Issue
Section
License
Copyright (c) 2005 Juan Cristóbal Cruz Revueltas
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Esta revista proporciona acceso abierto inmediato a su contenido, con base en el principio de ofrecer al público un acceso libre a las investigaciones para contribuir a un mayor intercambio global de conocimientos. Se distribuye bajo una licencia Creative Commons Reconocimiento-NoComercial 4.0 Internacional License.
